The Audible Life of the Image
The Audible Life of the Image
Godard
Jean-Luc Godard’s cinema can, by his own admission, be understood to be searching for a visual music. This chapter examines moments in Week-end, In Praise of Love and Our Music where the image-sound operates on what Deleuze refers to as the “cinematic threshold” of (im)perceptibility, as a function of a “powerful, non-organic Life which grips the world.”
Keywords: Gilles Deleuze, imperceptibility, cinematic threshold, image-sound, visual music, Weekend, In Praise of Love, Our Music, Jean-Luc Godard
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