Performing the Imperfect Human
Performing the Imperfect Human
Chapter Five draws together ideas from the previous chapters on objectivity, editing, acting, and animation to engage with performance art as one final model to explain Laruelle’s heterodox approach, one that appears to perform its ideas bodily rather than express them discursively.
Keywords: François Laruelle, animation, performance art, heterodox approach, editing, acting, objectivity
Minnesota Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.