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The Long TakeArt Cinema and the Wondrous$
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Lutz Koepnick

Print publication date: 2017

Print ISBN-13: 9780816695843

Published to Minnesota Scholarship Online: September 2018

DOI: 10.5749/minnesota/9780816695843.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 21 September 2021

To Cut or Not to Cut

To Cut or Not to Cut

Chapter:
(p.33) One To Cut or Not to Cut
Source:
The Long Take
Author(s):

Lutz Koepnick

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816695843.003.0002

Chapter 1: traces the history and theory of the long take in twentieth-century art cinema to make a case who and why twenty-first century moving image practice differs from the past and its concepts; shows how contemporary long take practice absorbs the recalibrates the dual legacies of expanded cinema and art cinema of the 1960s, and how it asks to rethink our concept of art cinema today, and why its study neither belongs to film scholars nor art critics alone today

Keywords:   art cinema moving image criticism video installation film art theory media aesthetics

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