Cinema of Thought
Cinema of Thought
Directed Consciousness in Chinese Marxist Film Theory
I examine—in dialogue with Eurpean Marxists and Deleuze—the Marxist film theory in Shanghai in the 1930s and its notion of cinematographic consciousness—an idea that suggests that cinema can sense, feel, think and instill its consciousness to the sentient bodies of the viewers.
Keywords: Cinema ontology, Chinese film theory, Comparative film studies, Cinematographic time and temporality, Life and cinema, Potentiality
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