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Bamako SoundsThe Afropolitan Ethics of Malian Music$
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Bamako Sounds: The Afropolitan Ethics of Malian Music

Ryan Thomas Skinner

Print publication date: 2015

Print ISBN-13: 9780816693498

Published to Minnesota Scholarship Online: January 2016

DOI: 10.5749/minnesota/9780816693498.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 28 September 2021

A Pious Poetics of Place

A Pious Poetics of Place

Chapter:
(p.107) Chapter 4 A Pious Poetics of Place
Source:
Bamako Sounds
Author(s):

Ryan Thomas Skinner

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816693498.003.0005

Chapter 4 examines the Islamic voice as a morally steeped and widely deployed discursive resource in Bamako popular music. It focuses on the inter-textual and inter-subjective references to Islamic thought and practice in three distinct, though frequently overlapping genres of vocal performance: praise song, rap, and dance band lyricism.

Keywords:   Mali, Music, Ethics, Afropolitanism, African Studies, Cultural Studies, Postcolonial Studies, Ethnomusicology

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