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Bamako SoundsThe Afropolitan Ethics of Malian Music$
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Ryan Thomas Skinner

Print publication date: 2015

Print ISBN-13: 9780816693498

Published to Minnesota Scholarship Online: January 2016

DOI: 10.5749/minnesota/9780816693498.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 25 September 2021

Ethics and Aesthetics

Ethics and Aesthetics

Chapter:
(p.77) Chapter 3 Ethics and Aesthetics
Source:
Bamako Sounds
Author(s):

Ryan Thomas Skinner

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816693498.003.0004

Chapter 3 observes moral and ethical tensions of collective identity and individual subjectivity in musical performance and perception. It describes how a culturally modeled and locally salient musical aesthetics audibly signifies a dialectic social structure of collectively oriented morality and individually motivated ethics among artists and their audiences.

Keywords:   Mali, Music, Ethics, Afropolitanism, African Studies, Cultural Studies, Postcolonial Studies, Ethnomusicology

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