Background Music of the Avant-Garde
Background Music of the Avant-Garde
The Quiet Boom of Erik Satie
Chapter One traces how the ambient emphasis on private, reflective moods developed out of the unexpected alignment of postwar Japanese background music and the “environmental art” of the 1960s avant-garde, converging through Expo ‘70 into the “Erik Satie boom” and the emergence of ambient music in the late 1970s.
Keywords: Postwar Japan, Environmental Art, Expo ‘70, Erik Satie, Ambient music, 1970s Japan, reflective mood, privacy, avant-garde
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