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Chicago Hustle and FlowGangs, Gangsta Rap, and Social Class$
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Geoff Harkness

Print publication date: 2014

Print ISBN-13: 9780816692286

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816692286.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 20 June 2021

Chicago’s Gangsta-Rap Microscene

Chicago’s Gangsta-Rap Microscene

Welcome to the Terrordome

Chapter:
(p.1) Introduction Chicago’s Gangsta-Rap Microscene
Source:
Chicago Hustle and Flow
Author(s):

Geoff Harkness

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816692286.003.0001

This introductory chapter considers how social class shapes meaning, interpretation, and opportunity for young men involved in rap and street gangs. It gives account of Joseph Coleman (Lil JoJo), an aspiring gangsta rapper who was gunned down in a neighborhood in Chicago. According to the Chicago police, Lil JoJo’s murder was connected to an online war of words and music to fellow teen rapper Keith Cozart (Chief Keef). This chapter also focuses on the cultural aspects of rap music and describes the musical output of Chicago’s rapping gang members that are mostly filled with messages about guns, gangs, drugs, money, women, hard-knocks, street life, and criminal activity.

Keywords:   rap music, street gangs, Joseph Coleman, Lil JoJo, gangsta rapper, Chicago, Keith Cozart, Chief Keef

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