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Self-ProjectionThe Director's Image in Art Cinema$
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Self-Projection: The Director's Image in Art Cinema

Linda Haverty Rugg

Print publication date: 2014

Print ISBN-13: 9780816691234

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816691234.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 16 May 2022

Without a You, No I: Cinematic Self-Projection

Without a You, No I: Cinematic Self-Projection

Chapter:
(p.1) Introduction Without a You, No I: Cinematic Self-Projection
Source:
Self-Projection
Author(s):

Linda Haverty Rugg

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816691234.003.0001

A look at the historical and theoretical underpinnings of art cinema, examining how viewers are conditioned to recognize an author’s presence in fictional cinematic narrative. Discussion of autobiographical impulses in fictional films by the directors of this study, introduction of the term “self-projection.” Brief discussion of cinematic self-projection and gender.

Keywords:   Film, Art Cinema, Ingmar Bergman, Federico Fellini, François Truffaut, Andrei Tarkovsky, Werner Herzog, Woody Allen, Pedro Almodóvar, Lars von Trier

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