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Oil Culture$
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Ross Barrett and Daniel Worden

Print publication date: 2014

Print ISBN-13: 9780816689682

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816689682.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 22 September 2021

Crude Aesthetics

Crude Aesthetics

The Politics of Oil Documentaries

Chapter:
(p.350) 18 Crude Aesthetics
Source:
Oil Culture
Author(s):

Imre Szeman

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816689682.003.0018

This chapter examines the difficulties posed by representing petrocapitalism on film and the capacity of the documentary medium to depart from dominant narratives of the oil industry. To this end, it considers the manner in which oil is represented in three “feature” documentaries: Basil Gelpke and Ray McCormack’s A Crude Awakening (2006), Joe Berlinger’s Crude: The Real Price of Oil (2009), and Shannon Walsh’s H2Oil (2009). In particular, it explores the range of ways in which these documentaries frame oil as a problem for their audiences, and what resources they offer as possible solutions to this ecological and social problem. It also discusses the politics and aesthetics of oil based on these three documentaries, as well as the potential of the problem of oil to destabilize the aims of both anticapitalist and environmental movements.

Keywords:   petrocapitalism, documentaries, oil, A Crude Awakening, Joe Berlinger, politics, aesthetics, anticapitalism, environmental movement

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