Jump to ContentJump to Main Navigation
Coproducing AsiaLocating Japanese-Chinese Regional Film and Media$
Users without a subscription are not able to see the full content.

Stephanie DeBoer

Print publication date: 2014

Print ISBN-13: 9780816689491

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816689491.001.0001

Show Summary Details
Page of

PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 25 May 2022

Collaboration Decentered: Technology Transfer and the Hong Kong Copy

Collaboration Decentered: Technology Transfer and the Hong Kong Copy

(p.55) 2 Collaboration Decentered: Technology Transfer and the Hong Kong Copy
Coproducing Asia

Stephanie DeBoer

University of Minnesota Press

Chapter two contests the terms through which Japan has occupied center stage as a locus of development and modernity by considering a range of Hong Kong-Japan co-productions made from the 1950s to the 1970s. In specific, it interrogates the Hong Kong’s “copy” and “transfer” of new film technologies, rationalized production methods, genres, and styles linked to Japan.

Keywords:   film and media studies, co-productions, East Asian film and media, transnational film and media, location, place, media capitals, cultural globalization, production technologies

Minnesota Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.