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Art Labor, Sex PoliticsFeminist Effects in 1970s British Art and Performance$
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Siona Wilson

Print publication date: 2015

Print ISBN-13: 9780816685738

Published to Minnesota Scholarship Online: January 2016

DOI: 10.5749/minnesota/9780816685738.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 18 September 2021

Revolting Photographs

Revolting Photographs

Proletarian Amateurism in Jo Spence and Terry Dennett’s Photography Workshop

(p.139) 4 Revolting Photographs
Art Labor, Sex Politics

Siona Wilson

University of Minnesota Press

The open-ended collaborative project, Photography Workshop (run by Jo Spence and Terry Dennett), ends the decade and the book with the emergence of photography as a newly critical art form. The frictions between Marxism and feminism, social and psychic issues, labor and sexuality coalesce to reshape our understanding of an embryonic postmodernism.

Keywords:   Feminism, feminist art, avant-garde, conceptual art, photography, film, performance, collectivity, sexuality

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