Revolting Photographs
Revolting Photographs
Proletarian Amateurism in Jo Spence and Terry Dennett’s Photography Workshop
The open-ended collaborative project, Photography Workshop (run by Jo Spence and Terry Dennett), ends the decade and the book with the emergence of photography as a newly critical art form. The frictions between Marxism and feminism, social and psychic issues, labor and sexuality coalesce to reshape our understanding of an embryonic postmodernism.
Keywords: Feminism, feminist art, avant-garde, conceptual art, photography, film, performance, collectivity, sexuality
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