The Spectator as Reproducer
The Spectator as Reproducer
Mary Kelly’s Early Films
In an analysis of Mary Kelly’s early works in film, performance, and photography, Chapter Two traces the links between feminist labor activism and Kelly’s emerging commitment to psychoanalysis. I analyze her political aesthetic in relation to Andy Warhol’s Factory and Laura Mulvey’s important feminist polemic on cinema.
Keywords: Feminism, feminist art, avant-garde, conceptual art, photography, film, performance, collectivity, sexuality
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