Visual Display at District Six and Robben Island
“Haunting” is a useful metaphorical device for calling attention to how it is that certain places instill a sense of possession, absence, and loss in the urban landscape. The sense of the spectral presence of those who are not physically there is a ubiquitous feature of the phenomenology of place. This chapter uses the examples of the District Six Museum (Cape Town) and Robben Island Museum to explore how the spectral presence of the past haunts the present.
Keywords: Collective memory and selective forgetting, Contemporary (post-apartheid) South Africa, Heritage and tourism studies, Commemorative practices, Monuments and memorials, Museums and public exhibitions, Thanotourism, Traumascapes
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