Ethics of Presence and the (De)generative Image
Ethics of Presence and the (De)generative Image
I argue that photographs work along the same principle as archives and they undermine the rules of historical narrative by way of their bald disclosure of alternative historical readings, blind spots, and the seams of knowledge production itself. Image agitators are dangerous communications to the integrity of conventional historiography.
Keywords: Siberia, Soviet, Evenki, Photography, Photographic Theory, Archives, Cultural History, Sovietization, Indigenous Peoples, early twentieth century
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