Catherine Bell’s Handling of Squid
Chapter 5 presents an account of Catherine Bell’s performance with forty dead squid in order to unpack some difficult questions about control, improvisation, and the relation of intentions to outcomes both for the artist and for her viewers.
Minnesota Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.