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The Freak-gardeExtraordinary Bodies and Revolutionary Art in America$
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Robin Blyn

Print publication date: 2013

Print ISBN-13: 9780816678167

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816678167.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 25 May 2022

The Biology of Revolution

The Biology of Revolution

Mapping Mutation with Diane Arbus

Chapter:
(p.149) 5 The Biology of Revolution
Source:
The Freak-garde
Author(s):

Robin Blyn

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816678167.003.0005

This chapter juxtaposes the freak photographs taken by Diane Arbus with the philosophy of Herbert Marcuse, the so-called father of the New Left. It reveals the deep engagement of the photos that were published in Diane Arbus: An Aperture Monography with the 1960s counterculture. It addresses the photographs as an attempt to find a subject innocent of the ideology of liberal capitalism, thus their preoccupation with the marginal, the abject, and the freak. It argues that while the freaks represented in the photographs remain bound to the “Establishment”, her art maps an alternative ontological condition in which differences endlessly multiply and proliferate. It relates this effect with the kind of radical desystematizing of difference identified with capitalism. It suggests that freedom from the repression of liberal capitalism lies in exploiting the decoded flows endemic to capitalism itself.

Keywords:   freak photographs, Diane Arbus, Herbert Marcuse, New Left, An Aperture Monography, establishment, capitalism

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