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The Cinema and Its ShadowRace and Technology in Early Cinema$
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Alice Maurice

Print publication date: 2013

Print ISBN-13: 9780816678044

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816678044.001.0001

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Red, White, And blue : Digital Cinema, Race, and Avatar

Red, White, And blue : Digital Cinema, Race, and Avatar

Chapter:
(p.187) Conclusion Red, White, And blue : Digital Cinema, Race, and Avatar
Source:
The Cinema and Its Shadow
Author(s):

Alice Maurice

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816678044.003.0006

The story of cinema, especially as it has been told in film studies and film theory, is one in which what is severed is fantasmatically put back together. In a medium defined by fundamental absences and discontinuities, it turns out that the rhetoric of race has functioned to keep body and soul together: re-animating the cinema by reincarnating its shadow.

Keywords:   Cinema, Race, Technology, Body, Shadow, Rhetoric, Image, Performance

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