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Ferocious RealityDocumentary according to Werner Herzog$
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Eric Ames

Print publication date: 2012

Print ISBN-13: 9780816677634

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816677634.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 07 December 2021

Cultural Politics

Cultural Politics

Chapter:
(p.147) 5 Cultural Politics
Source:
Ferocious Reality
Author(s):

Eric Ames

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816677634.003.0006

This chapter addresses the political aspect of Herzog’s documentaries since his fall from grace in the early 1980s, especially around the making of Fitzcarraldo (1982). Charges of environmental and human rights abuse were leveled against Herzog throughout the 1970s and 1980s, the most famous incident being his altercations with indigenous Peruvians during preproduction of Fitzcarraldo—a concern that received wide attention at the time, both in print and on film. Close analysis of such films as Ballad of the Little Soldier (1984), Ten Thousand Years Older (2002), and The White Diamond (2004) shows how Herzog appropriates certain documentary conventions and forms of truth telling and puts them in the service of revising his own cinematic past.

Keywords:   Werner Herzog, documentary films, Fitzcarraldo, Ballad of the Little Soldier, Ten Thousand Years Older, The White Diamond

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