Skewed Remote Musical Performance: Sounding Deconstruction
Skewed Remote Musical Performance: Sounding Deconstruction
Chapter Six discusses an art practice—Skewed Remote Musical Performance—that models a way in which sound disjunctively intervenes in constructions of presence and absence, opening its practitioners to a relational play that not only moves between those two poles, but also constructs them as poles (even as it is constructed by them).
Keywords: Sound, Digital culture, Posthumanism, New media, Performativity, Deconstruction, Affect
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