The Trace: Melancholy and Posthuman Ethics
The Trace: Melancholy and Posthuman Ethics
Chapter 4 mobilizes Rafael Lozano-Hemmer's participatory telepresent installation The Trace in relation to the call for an embodied understanding of information pronounced in Hayles's posthumanism. In particular, this is taken up by reading The Trace with and against Judith Butler's account of melancholic subjectivity in Antigone's Claim.
Keywords: Sound, Digital culture, Posthumanism, New media, Performativity, Deconstruction, Affect
Minnesota Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.