This book is the first volume in the “unmourning” trilogy. Here, the text studies mourning and melancholia within and around psychoanalysis, analyzing the writings of such thinkers as Freud, Nietzsche, Lessing, Heinse, Artaud, Keller, Stifter, Kafka, and Kraus. The book maintains that we must shift the way we read literature, philosophy, and psychoanalysis to go beyond traditional Oedipal structures. The book argues that the idea of the crypt has had a surprisingly potent influence on psychoanalysis, and it shows how society’s disturbed relationship with death and dying, our inability to let g ... More

This book is the first volume in the “unmourning” trilogy. Here, the text studies mourning and melancholia within and around psychoanalysis, analyzing the writings of such thinkers as Freud, Nietzsche, Lessing, Heinse, Artaud, Keller, Stifter, Kafka, and Kraus. The book maintains that we must shift the way we read literature, philosophy, and psychoanalysis to go beyond traditional Oedipal structures. The book argues that the idea of the crypt has had a surprisingly potent influence on psychoanalysis, and it shows how society’s disturbed relationship with death and dying, our inability to let go of loved ones, has resulted in technology to form more and more crypts for the dead by preserving them—both physically and psychologically—in new ways.