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Accessorizing the BodyHabits of Being I$
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Cristina Giorcelli and Paula Rabinowitz

Print publication date: 2011

Print ISBN-13: 9780816675784

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816675784.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 17 May 2022

Futurist Accessories

Futurist Accessories

(p.54) 5 Futurist Accessories
Accessorizing the Body

Franca Zoccoli

University of Minnesota Press

This chapter considers the development of Futurist accessories. The Futurists have long proclaimed a revolution in accessories, which complemented, or rather, was integral to, their revolution in clothing. Many of the artists in the movement put theory into practice, including Giacomo Balla, Enrico Prampolini, Tullio Crali, Tato (Gugliemo Sansoni), Gerardo Dottori, Thayaht (Ernesto Michahelles), and Mino Delle Site; they created scarves and shawls, buckles and buttons, bags and umbrellas, necklaces and bracelets. These did not cause, however, a shift in fashion trends that immediately influenced what was seen on the street—nor were they meant to. It is argued that the Futurists never really intended to sell their products nor make them part of a process of mass production. Their ultimate purpose was to challenge bourgeois convention.

Keywords:   Futurists, Futurism, accessories, bourgeois convention

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