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Stare in the DarknessThe Limits of Hip-hop and Black Politics$
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Lester K. Spence

Print publication date: 2011

Print ISBN-13: 9780816669875

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816669875.001.0001

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PRINTED FROM MINNESOTA SCHOLARSHIP ONLINE (www.minnesota.universitypressscholarship.com). (c) Copyright University of Minnesota Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in MNSO for personal use.date: 31 October 2020

Follow Me into a Solo

Follow Me into a Solo

Chapter:
(p.1) Introduction Follow Me into a Solo
Source:
Stare in the Darkness
Author(s):

Lester K. Spence

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816669875.003.0001

This book is primarily concerned with the politics ingrained within rap and hip-hop’s production, circulation, and consumption. There are four aspects to be examined: rap and hip-hop’s popularity, visibility, and speed; its use in addressing black politics; the political and economic context of the post-post-civil rights era; and the political nature of black popular culture in general. African-American scholar Adolph Reed argues that one of the reasons black politics has not modernized is because arguments about black culture are preferred over rational consideration of black political interests. The book then inquires about the nature of these politics, and under what circumstances black popular culture informs and sustains political movements.

Keywords:   rap, hip-hop, black politics, post-post-civil rights era, black popular culture, Adolph Reed

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