Reorchestrating History
Reorchestrating History
Transforming The Danube Exodus into a Database Documentary
This chapter focuses on the expanded adaptation of the sixty-minute film The Danube Exodus. In 2000, the Labyrinth Project collaborated with Péter Forgács to turn his sixty-minute film into a large-scale, multiscreen immersive installation. The film provided intriguing narrative material: a network of compelling stories, a Central European setting full of rich historical associations, and a hypnotic musical score that created a mesmerizing tone. Both the film and the installation still present the same transnational narrative that interweaves three stories: those of German farmers, Jewish refugees, and a Hungarian river captain. The adaptation called for a reorchestration of history—in some ways similar to the one Forgács had earlier performed on the original found footage of the captain.
Keywords: adaptation, film, The Danube Exodus, Péter Forgács, installation, stories, narrative, Jewish refugees, history
Minnesota Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.