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Wilson, S. (2015-02-01). The Spectator as Reproducer: Mary Kelly’s Early Films. In Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance. : University of Minnesota Press. Retrieved 30 Jun. 2022, from https://minnesota.universitypressscholarship.com/view/10.5749/minnesota/9780816685738.001.0001/upso-9780816685738-chapter-002.