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Revolting Photographs

Revolting Photographs

Proletarian Amateurism in Jo Spence and Terry Dennett’s Photography Workshop

(p.139) 4 Revolting Photographs
Art Labor, Sex Politics
Siona Wilson
University of Minnesota Press

The open-ended collaborative project, Photography Workshop (run by Jo Spence and Terry Dennett), ends the decade and the book with the emergence of photography as a newly critical art form. The frictions between Marxism and feminism, social and psychic issues, labor and sexuality coalesce to reshape our understanding of an embryonic postmodernism.

Keywords:   Feminism, feminist art, avant-garde, conceptual art, photography, film, performance, collectivity, sexuality

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