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Digital Impressions

Digital Impressions

Writing Memory after Agnès Varda

(p.25) Chapter Two Digital Impressions
The Heretical Archive
Domietta Torlasco
University of Minnesota Press

Chapter two (“Digital Impressions”) questions Derrida’s definition of impression as inscription by turning to Varda’s film The Gleaners and I and asserting “gleaning” as the figure for a heterodox mode of archiving, one that moves beyond the distinction of content and form in order to gather what remains, what is left behind, and what is thrown away.

Keywords:   Media, Arts, Film, Theory, Psychoanalysis, Jacques Derrida, Maurice Merleau-Ponty, Antigone, Feminist theory, Agnès Varda

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