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Digital Impressions

Digital Impressions

Writing Memory after Agnès Varda

Chapter:
(p.25) Chapter Two Digital Impressions
Source:
The Heretical Archive
Author(s):
Domietta Torlasco
Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816681099.003.0002

Chapter two (“Digital Impressions”) questions Derrida’s definition of impression as inscription by turning to Varda’s film The Gleaners and I and asserting “gleaning” as the figure for a heterodox mode of archiving, one that moves beyond the distinction of content and form in order to gather what remains, what is left behind, and what is thrown away.

Keywords:   Media, Arts, Film, Theory, Psychoanalysis, Jacques Derrida, Maurice Merleau-Ponty, Antigone, Feminist theory, Agnès Varda

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