Janelle A. Schwartz
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816673209
- eISBN:
- 9781452947082
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816673209.001.0001
- Subject:
- Literature, 19th-century Literature and Romanticism
Worms. Natural history is riddled with them. Literature is crawling with them. From antiquity to today, the ubiquitous and multiform worm provokes an immediate discomfort and unconscious distancing: ...
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Worms. Natural history is riddled with them. Literature is crawling with them. From antiquity to today, the ubiquitous and multiform worm provokes an immediate discomfort and unconscious distancing: it remains us against them in anthropocentric anxiety. So there is always something muddled, or dirty, or even offensive when talking about worms. Rehabilitating the lowly worm into a powerful aesthetic trope, this book proposes a new framework for understanding such a strangely animate nature. Worms, the text declares, are the very matter with which the Romantics rethought the relationship between a material world in constant flux and the human mind working to understand it. This book studies the lesser-known natural historical records of Abraham Trembley and his contemporaries and the familiar works of Erasmus and Charles Darwin, William Blake, Mary Shelley, and John Keats to expose the worm as an organism not only reviled as a taxonomic terror but revered as a sign of great order in nature as well as narrative. This book traces a pattern of cultural production, a vermiculture that is as transformative of matter as it is of mind. It distinguishes decay or division as positive processes in Romantic era writings, compounded by generation or renewal and used to represent the biocentric, complex structuring of organicism.Less
Worms. Natural history is riddled with them. Literature is crawling with them. From antiquity to today, the ubiquitous and multiform worm provokes an immediate discomfort and unconscious distancing: it remains us against them in anthropocentric anxiety. So there is always something muddled, or dirty, or even offensive when talking about worms. Rehabilitating the lowly worm into a powerful aesthetic trope, this book proposes a new framework for understanding such a strangely animate nature. Worms, the text declares, are the very matter with which the Romantics rethought the relationship between a material world in constant flux and the human mind working to understand it. This book studies the lesser-known natural historical records of Abraham Trembley and his contemporaries and the familiar works of Erasmus and Charles Darwin, William Blake, Mary Shelley, and John Keats to expose the worm as an organism not only reviled as a taxonomic terror but revered as a sign of great order in nature as well as narrative. This book traces a pattern of cultural production, a vermiculture that is as transformative of matter as it is of mind. It distinguishes decay or division as positive processes in Romantic era writings, compounded by generation or renewal and used to represent the biocentric, complex structuring of organicism.
