Erica R. Edwards
- Published in print:
- 2012
- Published Online:
- August 2015
- ISBN:
- 9780816675456
- eISBN:
- 9781452947488
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816675456.001.0001
- Subject:
- Literature, African-American Literature
Social and political change is impossible in the absence of gifted male charismatic leadership—this is the fiction that shaped African American culture throughout the twentieth century. If we ...
More
Social and political change is impossible in the absence of gifted male charismatic leadership—this is the fiction that shaped African American culture throughout the twentieth century. If we understand this, this book tells us, we will better appreciate the dramatic variations within both the modern black freedom struggle and the black literary tradition. By considering leaders such as Marcus Garvey, Martin Luther King, Jr., Malcolm X, and Barack Obama as both historical personages and narrative inventions of contemporary American culture, this book brings to the study of black politics the tools of intertextual narrative analysis as well as deconstruction and close reading. Examining a number of literary restagings of black leadership in African American fiction by W. E. B. Du Bois, George Schuyler, Zora Neale Hurston, William Melvin Kelley, Paul Beatty, and Toni Morrison, the book demonstrates how African American literature has contested charisma as a structuring fiction of modern black politics.Less
Social and political change is impossible in the absence of gifted male charismatic leadership—this is the fiction that shaped African American culture throughout the twentieth century. If we understand this, this book tells us, we will better appreciate the dramatic variations within both the modern black freedom struggle and the black literary tradition. By considering leaders such as Marcus Garvey, Martin Luther King, Jr., Malcolm X, and Barack Obama as both historical personages and narrative inventions of contemporary American culture, this book brings to the study of black politics the tools of intertextual narrative analysis as well as deconstruction and close reading. Examining a number of literary restagings of black leadership in African American fiction by W. E. B. Du Bois, George Schuyler, Zora Neale Hurston, William Melvin Kelley, Paul Beatty, and Toni Morrison, the book demonstrates how African American literature has contested charisma as a structuring fiction of modern black politics.
Daylanne K. English
- Published in print:
- 2013
- Published Online:
- August 2015
- ISBN:
- 9780816679898
- eISBN:
- 9781452948553
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816679898.001.0001
- Subject:
- Literature, African-American Literature
Each Hour Redeem will be the first monograph to focus on how time has been represented materially, politically, and philosophically throughout the African American literary tradition. It therefore ...
More
Each Hour Redeem will be the first monograph to focus on how time has been represented materially, politically, and philosophically throughout the African American literary tradition. It therefore offers a unified, though not a uniform, model through which to understand that tradition. This book argues that “strategic anachronism,” the use of prior literary forms to explore contemporary political realities and injustices, characterizes much African American literature, as in Walter Mosley’s recent use of hard-boiled detective fiction; it argues, by contrast, that “strategic presentism” characterizes the Black Arts Movement and the Harlem Renaissance and the two movements’ investment in present-day political potentialities, as in Hughes’s and Baraka’s use of the jazz of their respective eras for their poetic form and content. Overall, Political Fictions argues that across genre and era, African American writers have shown how time and justice work together as interdependent “political fictions,” to adapt a useful phrase from Pauline Hopkins’s 1900 novel, Contending Forces, wherein her African American hero declares, “Constitutional equity is a political fiction."Less
Each Hour Redeem will be the first monograph to focus on how time has been represented materially, politically, and philosophically throughout the African American literary tradition. It therefore offers a unified, though not a uniform, model through which to understand that tradition. This book argues that “strategic anachronism,” the use of prior literary forms to explore contemporary political realities and injustices, characterizes much African American literature, as in Walter Mosley’s recent use of hard-boiled detective fiction; it argues, by contrast, that “strategic presentism” characterizes the Black Arts Movement and the Harlem Renaissance and the two movements’ investment in present-day political potentialities, as in Hughes’s and Baraka’s use of the jazz of their respective eras for their poetic form and content. Overall, Political Fictions argues that across genre and era, African American writers have shown how time and justice work together as interdependent “political fictions,” to adapt a useful phrase from Pauline Hopkins’s 1900 novel, Contending Forces, wherein her African American hero declares, “Constitutional equity is a political fiction."
George Lipsitz
- Published in print:
- 2010
- Published Online:
- August 2015
- ISBN:
- 9780816666782
- eISBN:
- 9781452946689
- Item type:
- book
- Publisher:
- University of Minnesota Press
- DOI:
- 10.5749/minnesota/9780816666782.001.0001
- Subject:
- Literature, African-American Literature
Considered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by ...
More
Considered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by any measure. This book tells the largely unknown story of a towering figure in the history of African American music and culture who was, by his own description, “black by persuasion.” Born to Greek immigrant parents in Vallejo, California, in 1921, Otis grew up in an integrated neighborhood and identified deeply with black music and culture from an early age. He moved to Los Angeles as a young man and submerged himself in the city’s vibrant African American cultural life, centered on Central Avenue and its thriving music scene. Otis began his six-decade career in music playing drums in territory swing bands in the 1930s. He went on to lead his own band in the 1940s and open the Barrelhouse nightclub in Watts. His R&B band had seventeen Top 40 hits between 1950 and 1969, including “Willie and the Hand Jive.” As a producer and A&R man, Otis discovered such legends as Etta James, Jackie Wilson, and Big Mama Thornton. Otis also wrote a column for the Sentinel, one of L.A.’s leading black newspapers, became pastor of his own interracial church, hosted popular radio and television shows that introduced millions to music by African American artists, and was lauded as businessman of the year in a 1951 cover story in Negro Achievements magazine. Throughout his career Otis’s driving passion has been his fearless and unyielding opposition to racial injustice, whether protesting on the front lines, exposing racism and championing the accomplishments of black Americans, or promoting African American musicians.Less
Considered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by any measure. This book tells the largely unknown story of a towering figure in the history of African American music and culture who was, by his own description, “black by persuasion.” Born to Greek immigrant parents in Vallejo, California, in 1921, Otis grew up in an integrated neighborhood and identified deeply with black music and culture from an early age. He moved to Los Angeles as a young man and submerged himself in the city’s vibrant African American cultural life, centered on Central Avenue and its thriving music scene. Otis began his six-decade career in music playing drums in territory swing bands in the 1930s. He went on to lead his own band in the 1940s and open the Barrelhouse nightclub in Watts. His R&B band had seventeen Top 40 hits between 1950 and 1969, including “Willie and the Hand Jive.” As a producer and A&R man, Otis discovered such legends as Etta James, Jackie Wilson, and Big Mama Thornton. Otis also wrote a column for the Sentinel, one of L.A.’s leading black newspapers, became pastor of his own interracial church, hosted popular radio and television shows that introduced millions to music by African American artists, and was lauded as businessman of the year in a 1951 cover story in Negro Achievements magazine. Throughout his career Otis’s driving passion has been his fearless and unyielding opposition to racial injustice, whether protesting on the front lines, exposing racism and championing the accomplishments of black Americans, or promoting African American musicians.
