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Barry Le VaThe Aesthetic Aftermath$
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Michael Maizels

Print publication date: 2015

Print ISBN-13: 9780816694686

Published to Minnesota Scholarship Online: May 2016

DOI: 10.5749/minnesota/9780816694686.001.0001

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The Built Environment

The Built Environment

Chapter:
(p.109) Four The Built Environment
Source:
Barry Le Va
Author(s):

Michael Maizels

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816694686.003.0004

This chapter examines Le Va’s work from the end of the 1970s to the early 2000s, a period in which the artist has turned to ever more rigid and heavy materials. It examines these increasingly architectonic works through the lens of Le Va’s early training in architecture, putting his work into dialog with that of his slightly younger contemporaries, Gordon Matta-Clark and Bernard Tschumi. It argues that Le Va’s turn to obdurate sculpture in fact makes explicit a longstanding strategy of using architecturally-inflected ideas to cultivate impermanence within his sculptural practice--to work against the historical durability and autonomy of the art object.

Keywords:   Barry Le Va, rigid materials, heavy materials, architecture, Gordon Matta-Clark, Bernard Tschumi, sculpture, autonomy, art object

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