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Split Screen KoreaShin Sang-ok and Postwar Cinema$
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Steven Chung

Print publication date: 2014

Print ISBN-13: 9780816691333

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816691333.001.0001

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“It’s All Fake”

“It’s All Fake”

Shin Sang-ok’s North Korean Revisions

(p.159) 5 “It’s All Fake”
Split Screen Korea

Steven Chung

University of Minnesota Press

Chapter 5: An analysis of the Sin’s North Korean films that finds continuities in affective mechanisms and production modes which in turn inform a re-reading of both North Korean film practice and the cultural stakes of political division.

Keywords:   Korea, Cinema, Postwar, Cold War, Postcolonial, Modernity, East Asia

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