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Coproducing AsiaLocating Japanese-Chinese Regional Film and Media$
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Stephanie DeBoer

Print publication date: 2014

Print ISBN-13: 9780816689491

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816689491.001.0001

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Collaboration Decentered: Technology Transfer and the Hong Kong Copy

Collaboration Decentered: Technology Transfer and the Hong Kong Copy

Chapter:
(p.55) 2 Collaboration Decentered: Technology Transfer and the Hong Kong Copy
Source:
Coproducing Asia
Author(s):

Stephanie DeBoer

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816689491.003.0003

Chapter two contests the terms through which Japan has occupied center stage as a locus of development and modernity by considering a range of Hong Kong-Japan co-productions made from the 1950s to the 1970s. In specific, it interrogates the Hong Kong’s “copy” and “transfer” of new film technologies, rationalized production methods, genres, and styles linked to Japan.

Keywords:   film and media studies, co-productions, East Asian film and media, transnational film and media, location, place, media capitals, cultural globalization, production technologies

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