Comparative Textual Media: Transforming the Humanities in the Postprint Era
Published:
2013
Online ISBN:
9781452948546
Print ISBN:
9780816680030
Contents
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The Context of Net Locality The Context of Net Locality
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Location-Based Experiences: Historical Antecedents of Mobile Annotation Location-Based Experiences: Historical Antecedents of Mobile Annotation
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Mobile Annotation and User-Generated Content Mobile Annotation and User-Generated Content
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Adding Location Awareness to Mobile Annotation Adding Location Awareness to Mobile Annotation
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When Location-Based Narratives Go into the Mainstream When Location-Based Narratives Go into the Mainstream
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Location-Based Narratives and the Meaning of Location Location-Based Narratives and the Meaning of Location
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Notes Notes
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References References
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Chapter
2 Mobile Narratives: Reading and Writing Urban Space with Location-Based Technologies
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Published:December 2013
Cite
Silva, Adriana de Souza e, 'Mobile Narratives: Reading and Writing Urban Space with Location-Based Technologies', in N. Katherine Hayles, and Jessica Pressman (eds), Comparative Textual Media: Transforming the Humanities in the Postprint Era (Minneapolis, MN , 2013; online edn, Minnesota Scholarship Online, 24 Aug. 2015), https://doi.org/10.5749/minnesota/9780816680030.003.0002, accessed 19 Apr. 2024.
Abstract
This chapter considers mobile displays that are not only public but live and interactive, as in an LED display on the side of a building that shows text messages sent by people passing. Enacted in different installations with variations, these public art works share certain features that challenge traditional modes of understanding in the humanities, especially the assumption that art endures and can be archived, shelved, and otherwise made permanently available. In addition, they are crafted to disturb the environment, creating new kinds of relationships between people moving through ambient space and the landscape through which they move.
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