The Freak-garde: Extraordinary Bodies and Revolutionary Art in America
The Freak-garde: Extraordinary Bodies and Revolutionary Art in America
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Abstract
Since the 1890s, American artists have employed the arts of the freak show to envision radically different ways of being. The result is a rich avant-garde tradition that critiques and challenges capitalism from within. This book traces the arts of the freak show from P. T. Barnum to Matthew Barney and demonstrates how a form of mass culture entertainment became the basis for a distinctly American avant-garde tradition. Exploring a wide range of writers, filmmakers, photographers, and artists who have appropriated the arts of the freak show, the text exposes the disturbing power of human curiosities and the desires they unleash. Through a series of incisive and often startling readings, the book reveals how such figures as Mark Twain, Djuna Barnes, Tod Browning, Lon Chaney, Nathanael West, and Diane Arbus use these desires to propose alternatives to the autonomous and repressed subject of liberal capitalism. The book explains how, rather than grounding revolutionary subjectivities in imaginary realms innocent of capitalism, freak-garde works manufacture new subjectivities by exploiting potentials inherent to capitalism.
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Front Matter
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1
A Curious Education: Mark Twain’s Corporate Persons
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2
Between Silence and Sound: The Lon Chaney Sensation
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3
Decadence in the Age of Fascism: Djuna Barnes’s Freak Dandies
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4
Dada in Hollywood: Nathanael West’s Human Machines
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5
The Biology of Revolution: Mapping Mutation with Diane Arbus
- Coda Barnum & Bailey & Barney: Freak Show at the Guggenheim
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End Matter
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