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Resolutions 3Global Networks of Video$
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Ming-Yuen S. Ma and Erika Suderburg

Print publication date: 2012

Print ISBN-13: 9780816670826

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816670826.001.0001

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Database, Anarchéologie, the Commons, Kino-eye, and Mash

Database, Anarchéologie, the Commons, Kino-eye, and Mash

How Bard, Kaufman, Svilova, and Vertov Continue the Revolution

Chapter:
(p.92) 7 Database, Anarchéologie, the Commons, Kino-eye, and Mash
Source:
Resolutions 3
Author(s):

Erika Suderburg

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816670826.003.0007

This chapter discusses Perry Bard’s Man with a Movie Camera: The Global Remake (2008–present). Bard’s collaborative project is an international collective remake of Dziga Vertov’s Man with a Movie Camera (1929) that redeploys Vertov’s kinoks (roving camerapersons/reporters/witnesses dedicated to the making of moving images as “a living evolutionary process” that depicts “life-as-it-is”). They upload their own remade sequences and link them to Vertov’s original frames, which then can be viewed as a part of a database of overlapping uploads that merge into multiple versions of the remade film and/or projected onto urban spaces.

Keywords:   Perry Bard, Dziga Vertov, kinoks, Man with a Movie Camera

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