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Japanese CountercultureThe Antiestablishment Art of Terayama Sh ji$
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Steven C. Ridgely

Print publication date: 2011

Print ISBN-13: 9780816667529

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816667529.001.0001

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Deinstitutionalizing Theater and Film

Deinstitutionalizing Theater and Film

Chapter:
(p.99) Chapter 4 Deinstitutionalizing Theater and Film
Source:
Japanese Counterculture
Author(s):

Steven C. Ridgely

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816667529.003.0004

This chapter presents Terayama Shūji’s two narratives that oppose the idea of masochism which deinstitutionalize social relations. These narratives are found in the play Kegawa no Marii (1967) and the film Sho o suteyo machi e deyō (1971). Deinstutionalization in masochism refers to the diffusing of laws into a new set of negotiable contracts between both parties. Prostitution is a form of masochism, in which seeking pleasure is based on the negotiation of a mutual contract between both parties.

Keywords:   Terayama Shūji, masochism, deinstutionalization, contracts, prostitution

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