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Drawing on ArtDuchamp and Company$
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Dalia Judovitz

Print publication date: 2010

Print ISBN-13: 9780816665297

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816665297.001.0001

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The Spectacle of Film: Duchamp and Dada Experiments

The Spectacle of Film: Duchamp and Dada Experiments

Chapter:
(p.57) 2 The Spectacle of Film: Duchamp and Dada Experiments
Source:
Drawing on Art
Author(s):

Dalia Judovitz

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816665297.003.0002

This chapter determines how the critique of the visual nature of art extends into and comes to redefine cinematic expression. The film analyses of works by Picabia, Man Ray, and Duchamp shows that their engagement with cinema ranged from experiments with the camera and the film image to consideration of the film’s modes of presentation and display that forms the position of the spectator. The analysis of drawing on art in order to redefine film relies on film to explain the necessity of moving beyond art.

Keywords:   cinematic expression, Francis Picabia, Man Ray, Marcel Duchamp, film image, spectator, drawing on art, redefining film

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