This concluding chapter summarizes the arguments of the book and relates them to later developments in animal representation. By tracing the effects of photography on cultural conceptions of animals, the book demonstrates photography’s centrality to contemporary discourses of animality. It also troubles the separation of the human and the animal that photographic technologies have helped to enable and the need to now look at the history and rethink the implications of this imposed and somewhat artificial separation.
Minnesota Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.