Jump to ContentJump to Main Navigation
FeltFluxus, Joseph Beuys, and the Dalai Lama$
Users without a subscription are not able to see the full content.

Chris Thompson

Print publication date: 2011

Print ISBN-13: 9780816653546

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816653546.001.0001

Show Summary Details

Overgave

Overgave

Chapter:
(p.193) 4. Overgave
Source:
Felt
Author(s):

Chris Thompson

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816653546.003.0006

This chapter narrates the interview between the author and Louwrien Wijers, on her life and experiences within the Fluxus movement. Wijers, as a contemporary of Joseph Beuys, had grown up surrounded by beauty and had learned Beuys’ “soft touch” approach to art, which would later be supplemented by her study of Gelugpa Buddhism and its concepts of nondual thinking and direct perception. During her foray into the contemporary art world, she met the likes of Ben d’Armagnac, who in his final performance introduced his concept of the overgave—a methodical push toward a state of emotional, physical, and intellectual exposure. His death also becomes a sort of avant-garde exhibition, and raises questions of death and silence—which is in itself a death of all other sounds—if there is a perfect ending, or if the ending is yet another beginning.

Keywords:   Louwrien Wijers, Joseph Beuys, Buddhism, direct perception, nondual thinking, overgave, avant-garde, art world

Minnesota Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.