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White GypsiesRace and Stardom in Spanish Musicals$
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Eva Woods Peiró

Print publication date: 2012

Print ISBN-13: 9780816645848

Published to Minnesota Scholarship Online: August 2015

DOI: 10.5749/minnesota/9780816645848.001.0001

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Recycling Folklóricas: A Queer Spain

Recycling Folklóricas: A Queer Spain

Chapter:
(p.223) Chapter 6 Recycling Folklóricas: A Queer Spain
Source:
White Gypsies
Author(s):

Eva Woods Peiró

Publisher:
University of Minnesota Press
DOI:10.5749/minnesota/9780816645848.003.0007

This chapter focuses on how race and queer thinking intersected in the critical recycling of folklórica and the cuplé aesthetics during the catastrophic changes of Spain’s transition to democracy, particularly the moment of 1978. It examines the confluence of race and queerness by exploring the documentary Ocaña: Retrat intermitent, and the fictional film Un hombre llamado Flor de Otoño. These films recycle the performative modes, redeploying the constructed rural community, intermittent performances, and utopian sensibility of the folkloric musicals within a new queer landscape, in which a radically racialized and sexualized otherness speaks truth to power.

Keywords:   race, queerness, folklórica, cuplé aesthetics, Ocaña: Retrat intermitent, Un hombre llamado Flor de Otoño

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